{"title":"String Solo Works","description":null,"products":[{"product_id":"sicilienne-for-violoncello-and-piano-op-78-gabriel-faure-piano-g-henle-verlag","title":"Faure Sicilienne Op 78 for Cello and Piano","description":"\u003cp\u003eThis composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Faurí©ŒÍs middle creative period and was first published simultaneously in France and England in 1898, reflecting Faurí©ŒÍs increasing international popularity. The character piece with its memorable,expressive melody became increasingly popular after Faurí© had included  it in the Suite from his incidental music of Pellí©as et Mí©lisande (in a version for orchestra) that was also premiered in 1898.\u003cbr\u003e Edited by Cornelia Ní_ckel with fingering and bowing for Cello by David Geringas.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683369488536,"sku":"S-HN1019","price":22.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/c8d1132a8d62bf8944442eec441f9c68.png?v=1685676172"},{"product_id":"adagio-and-allegro-op-70-for-piano-and-horn-version-for-violoncello-robert-schumann-cello-g-henle-verlag","title":"Adagio and Allegro Op 70 for Cello and Piano","description":"\u003cp\u003eIn 1849, Schumann turned to a new genre: works for piano and an accompanying instrument. The first works he composed were the Fantasy Pieces forpiano and clarinet opus 73, immediately followed by opus 70. Schumann d rew his publisher's attention to the brilliant allegro, whose solo part is so virtuosic that opus 70 is one of the showpieces for horn players even today. Schumann also wrote a part for violoncello.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":42683369586840,"sku":"S-HN1024","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/5f8362afbecbd673537b0cba18cf9dec.png?v=1685676175"},{"product_id":"adagio-and-allegro-op-70-for-violin-and-piano-robert-schumann-violin-g-henle-verlag","title":"Adagio and Allegro for Piano and Horn Op 70","description":"\u003cp\u003eIn 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. - and always also provided an alternative part for strings. Thus Schumann also wrote an alternative part for his Adagio and Allegro op. 70 for Horn and Piano, namely for the violin. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in her diary: \"The piece is splendid, fresh and passionate, just as I like it!\" And even Schumann admitted enthusiastically that he \"had had fun with it\" - which is true of many musicians even today.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683369652376,"sku":"S-HN1025","price":43.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/dfea0a6dcdc6638ed0a1842042098351.png?v=1685676177"},{"product_id":"sonata-e-flat-op-5-no-3-for-viola-and-piano-johann-nepomuk-hummel-viola-g-henle-verlag","title":"Viola Sonata in E Flat major Op 5 No 3 Vla\/Pno","description":"\u003cp\u003eJohann Nepomuk Hummel (1778–1837) is wrongly remembered, first and foremost, as Mozart’s pupil. In his day he was one of the most respected pianists and was also a composer with quite some influence on later generations. It is not known when exactly he composed his viola sonata. It was selfpublished in 1798 in Vienna together with two violin sonatas. Numerous reprints, including ones in France and England, testify to the extraordinary popularity of the sonata, both then and today.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683369717912,"sku":"S-HN1029","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/81a99dbee5a853ba1a0d674ad1936ae2.png?v=1685676181"},{"product_id":"sonata-in-c-minor-for-viola-and-piano-felix-bartholdy-mendelssohn-viola-g-henle-verlag","title":"Sonata in C Minor for Viola and Piano","description":"\u003cp\u003eMendelssohn's viola sonata is an early work which remained unpublished in his lifetime. He was 15 years old when he completed the sonata. This Urtext edition is a welcome addition to the scant classical-romantic viola repertoire.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683370274968,"sku":"S-HN1035","price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/10d624105cfa736afdcf8c83161a64a8.png?v=1685676188"},{"product_id":"sonata-no-2-e-minor-op-108-for-violin-and-piano-gabriel-faure-violin-g-henle-verlag","title":"Violin Sonata No 2 Op 108 Vln\/Pno","description":"\u003cp\u003eFauré's 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Fauré late works, characterised by austerity, introspection and the intensity of its expression. It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980), published 40 years earlier. The 2nd Sonata concentrates on the essentials, and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality, delving deep into the “modernism” of the 1920s.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683370406040,"sku":"S-HN1036","price":77.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/6c697051978523d51ccc632d0e72df05.png?v=1685676193"},{"product_id":"saint-saens-havanaise-op83-violin-piano-accompaniment-henle-hn1037","title":"Havanaise Op 83 for Violin and Piano","description":"\u003cp\u003eSaint-Saens - Havanaise Op83 - Violin\/Piano Accompaniment Henle HN1037\u003cbr\u003e\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683370471576,"sku":"S-HN1037","price":43.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/e83afbdfe3c917b79e9c5dd15d9f8303.jpg?v=1685676196"},{"product_id":"mozart-violin-sonatas-fragments-violin-piano-accompaniment-henle-hn1039","title":"Violin Sonatas","description":"\u003cp\u003eMozart - Violin Sonatas Fragments - Violin\/Piano Accompaniment Henle HN1039\u003cbr\u003e\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683370569880,"sku":"S-HN1039","price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/b9a36972aafc0a5a921652bb5641c9d9.jpg?v=1685676198"},{"product_id":"sonata-in-a-minor-for-violin-and-basso-continuo-johann-baptist-georg-neruda-violin-g-henle-verlag","title":"Sonata in A minor for Violin and Basso continuo","description":"\u003cp\u003eThere has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711–1776) over the past few years, especially due to his frequently played trumpet concerto. A respected violinist and longstanding member of the Dresden Court Orchestra, he did, however, mainly compose for the violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first time ever in 1982 as part of our edition “Bohemian Violin Sonatas” (HN 334). 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Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being ŒñWunderkinderŒî (prodigies) on their travels through Western Europe between 1763 and 1766. The piano sonatas Œñwith a violinaccompanimentŒî K. 6Œ_9 were composed in Paris. It is wonderfully fresh a nd varied music. The piano is joined by a violin that adds colour, but not as an equal partner unlike in the later, great violin sonatas (see HN77Œ_80). This music is not only ideally suitable for piano and violin te aching purposes but will also allow musicians who already know ŒñeverythingŒî to discover some treasures.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371126936,"sku":"S-HN1077","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/e3e4bac7994fddd741ec30be4126878e.png?v=1685676216"},{"product_id":"wunderkind-sonatas-vol-2-k-10-15-for-violin-and-piano-with-cello-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Wunderkind Sonatas Violin Vol 2 K 10-15 Vln\/Pno","description":"\u003cp\u003eLeopold Mozart was only able to understand his son’s musical genius in terms of it being a God-given wonder: “That my boy […] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it”. In 1764  Wolfgang composed six sonatas in London – possibly after the model of Johann Christian Bach’s “Opus 2” – that can either be played as piano trios, as violin sonatas or simply on the piano. “Royal” sources were consulted for the edition: the copy in the British Library bears the handwritten note: “This Volume belongs to the Queen 1788”.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371225240,"sku":"S-HN1078","price":68.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/5f745fc17b1f7e65daa0bbb62fcb46bf.png?v=1685676218"},{"product_id":"wunderkind-sonatas-vol-3-k-26-31-for-violin-and-piano-with-cello-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Wunderkind Sonatas Violin Vol 3 K 26-31 Vln\/Pno","description":"\u003cp\u003eIn autumn 1765 Mozart’s family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she “had an extraordinary desire to see this child” (according to Leopold Mozart). The Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371290776,"sku":"S-HN1079","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/62777d35a22b6ca02d0293986f98a36e.png?v=1685676220"},{"product_id":"clarinet-sonata-op-107-violin-version-for-violin-and-piano-max-reger-violin-g-henle-verlag","title":"Clarinet Sonata Op 107 Version for Violin Vln\/Pno","description":"\u003cp\u003eWhen Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: \"You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano.\" He wrote the violin part himself, adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet, he had tried out the work with a violinist. \"Should the critics claim once again that it is incomprehensible - then these gentlemen are simply first class asses. The work sounds very good, is intimate chamber music and not difficult to play together.\" There is nothing more to be said.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371487384,"sku":"S-HN1097","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/751673747ac0dca7a904d4287d96c9ea.png?v=1685676225"},{"product_id":"schumann-sonata-2-dmin-op121-violin-piano-accompaniment-henle-hn1098","title":"Violin Sonata No 2 in D Minor Op 121 Vln\/Pno","description":"\u003cp\u003eSchumann - Sonata #2 Dmin Op121 - Violin\/Piano Accompaniment Henle HN1098\u003cbr\u003e\u003c\/p\u003e","brand":"G. 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He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - \"only I can do this work!\" The viola’s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371618456,"sku":"S-HN1099","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/b3a33a40daf1c88f47444fe0911d76f2.png?v=1685676230"},{"product_id":"berceuse-for-violin-and-piano-op-16-gabriel-faure-violin-g-henle-verlag","title":"Berceuse Op 16 for Violin and Piano","description":"\u003cp\u003eAlongside weighty chamber music works such as piano quartets and violin sonatas, Gabriel Faurí© also wrote several charming miniatures for violinand piano. Among these is his Berceuse op. 16 in D major, which fast be came one of his best-known pieces following its first performance in 1880; countless arrangements were published. Its melodic subject matter andcolourful writing for the piano are reminiscent of Faurí©ŒÍs Violin Sonat a No. 1 in A major, which he had composed shortly before. This Urtext edition is the first edition to make use of the autograph sketches of the original version for violin, as well as of the manuscript of Faurí©ŒÍs ownorchestration.? Urtext Edition with marked and unmarked string parts.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371683992,"sku":"S-HN1101","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/eaa19b35ace38985dd4e70dd68ce13f0.png?v=1685676233"},{"product_id":"romances-for-horn-and-piano-version-for-cello-camille-saint-saens-cello-g-henle-verlag","title":"Romances for Horn and Piano edition for Vc\/Pno","description":"\u003cp\u003eCamille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 was written for Henri Garigue. Despite the illustrious recipients, they are not virtuosic showpieces but – as the term Romance suggests – short “Songs without words”. Alongside the orchestral version, Saint-Saëns also prepared a piano accompaniment for chamber music performances. The first editions even also had an alternative part for violoncello, on which our edition is based.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683372503192,"sku":"S-HN1168","price":43.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/8b3fff7deeb0a63620c17f63e37818f9.png?v=1685676259"},{"product_id":"salut-damour-op-12-for-violin-and-piano-edward-elgar-violin-g-henle-verlag","title":"Salut d amour Op 12 for Violin and Piano","description":"\u003cp\u003eEdward ElgarŒÍs Salut dŒÍamour is one of those pieces by the British composer that has a particularly haunting melody. The short work also had a special significance for the composer. Caroline Alice Roberts had been having piano lessons with Elgar since 1886. Their teacher-pupil relationship soon blossomed into love and they became engaged in 1888. It was in this year that Elgar composed ŒñSalut dŒÍamourŒî for his bride, initially with the German title ŒñLiebesgruíôŒî. They got married in 1889 and the work was published at the same time. We are now publishing this moderately difficult, immortal classic in the original versions for Violin and Piano,Violoncello and Piano (HN 1189) and Piano solo (HN 1190).\u003c\/p\u003e","brand":"DEVIRRA GROUP","offers":[{"title":"Default Title","offer_id":42683372568728,"sku":"S-HN1188","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/55b0dda9b9f9311a435defeee003b4c1.png?v=1685676262"},{"product_id":"elgar-salut-damour-op12-cello-piano-accompaniment-henle-hn1189","title":"Elgar - Salut d'Amour Op12 - Cello\/Piano Accompaniment Henle HN1189","description":"\u003cp\u003eEdward Elgar\\032s Salut d\\032amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success. Urtext Edition, paperbound with marked and unmarked string part, Preface and Critical Commentary.\u003c\/p\u003e","brand":"G. 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In 1738 Johann Philipp Eisel alre ady wrote of the viola as being the Œñvery bowels of musicŒî and stressed that it was not only needed to Œñflesh outŒî the orchestral sound but alsoas a Œñconcert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister TelemannŒî. TelemannŒÍs Concerto i n G major is considered to be one of the earliest works for solo viola and orchestra and forms part of the core repertoire for pupils and students. In our Urtext piano reduction the specialist Kai Kí_pp has provided information regarding historical performance practice.\u003c\/p\u003e","brand":"ENCORE MUSIC","offers":[{"title":"Default Title","offer_id":42683373781144,"sku":"S-HN1217","price":52.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/27d4ad7fdcc4ddab8f3ee19d152b5d8d.png?v=1685676318"},{"product_id":"allegro-appassionato-op-43-for-cello-and-piano-camille-saint-saens-cello-g-henle-verlag","title":"Allegro Appassionato Op 43 for Cello and Piano","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"G. 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Following the publication of the Sonata op. 36 (HN 577), the í_lí©gie op. 30 now takes its placeamong VieuxtempsŒÍ viola works for the first time in an Urtext edition.  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