{"title":"Violin Solo Works by Composer","description":null,"products":[{"product_id":"adagio-and-allegro-op-70-for-violin-and-piano-robert-schumann-violin-g-henle-verlag","title":"Adagio and Allegro for Piano and Horn Op 70","description":"\u003cp\u003eIn 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. - and always also provided an alternative part for strings. Thus Schumann also wrote an alternative part for his Adagio and Allegro op. 70 for Horn and Piano, namely for the violin. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in her diary: \"The piece is splendid, fresh and passionate, just as I like it!\" And even Schumann admitted enthusiastically that he \"had had fun with it\" - which is true of many musicians even today.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683369652376,"sku":"S-HN1025","price":43.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/dfea0a6dcdc6638ed0a1842042098351.png?v=1685676177"},{"product_id":"sonata-no-2-e-minor-op-108-for-violin-and-piano-gabriel-faure-violin-g-henle-verlag","title":"Violin Sonata No 2 Op 108 Vln\/Pno","description":"\u003cp\u003eFauré's 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Fauré late works, characterised by austerity, introspection and the intensity of its expression. It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980), published 40 years earlier. 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A respected violinist and longstanding member of the Dresden Court Orchestra, he did, however, mainly compose for the violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first time ever in 1982 as part of our edition “Bohemian Violin Sonatas” (HN 334). We are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683370733720,"sku":"S-HN1049","price":29.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/1101cac657b5b9931f1e58a978077cac.png?v=1685676203"},{"product_id":"wunderkind-sonatas-i-k-6-9-for-piano-and-violin-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Wunderkind Sonatas Violin Vol 1 K 6-9 Vln\/Pno","description":"\u003cp\u003eEditor: Wolf-Dieter Seiffert\u003cbr\u003eFingering and bowing for Violin: Benjamin Schmid\u003cbr\u003eFingering Piano: Ariane Haering\u003cbr\u003eAt the time, MozartŒÍs genius Œ_ recognised at an early age Œ_ could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being ŒñWunderkinderŒî (prodigies) on their travels through Western Europe between 1763 and 1766. The piano sonatas Œñwith a violinaccompanimentŒî K. 6Œ_9 were composed in Paris. It is wonderfully fresh a nd varied music. The piano is joined by a violin that adds colour, but not as an equal partner unlike in the later, great violin sonatas (see HN77Œ_80). This music is not only ideally suitable for piano and violin te aching purposes but will also allow musicians who already know ŒñeverythingŒî to discover some treasures.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371126936,"sku":"S-HN1077","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/e3e4bac7994fddd741ec30be4126878e.png?v=1685676216"},{"product_id":"wunderkind-sonatas-vol-2-k-10-15-for-violin-and-piano-with-cello-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Wunderkind Sonatas Violin Vol 2 K 10-15 Vln\/Pno","description":"\u003cp\u003eLeopold Mozart was only able to understand his son’s musical genius in terms of it being a God-given wonder: “That my boy […] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it”. In 1764  Wolfgang composed six sonatas in London – possibly after the model of Johann Christian Bach’s “Opus 2” – that can either be played as piano trios, as violin sonatas or simply on the piano. “Royal” sources were consulted for the edition: the copy in the British Library bears the handwritten note: “This Volume belongs to the Queen 1788”.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371225240,"sku":"S-HN1078","price":68.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/5f745fc17b1f7e65daa0bbb62fcb46bf.png?v=1685676218"},{"product_id":"wunderkind-sonatas-vol-3-k-26-31-for-violin-and-piano-with-cello-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Wunderkind Sonatas Violin Vol 3 K 26-31 Vln\/Pno","description":"\u003cp\u003eIn autumn 1765 Mozart’s family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she “had an extraordinary desire to see this child” (according to Leopold Mozart). The Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371290776,"sku":"S-HN1079","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/62777d35a22b6ca02d0293986f98a36e.png?v=1685676220"},{"product_id":"clarinet-sonata-op-107-violin-version-for-violin-and-piano-max-reger-violin-g-henle-verlag","title":"Clarinet Sonata Op 107 Version for Violin Vln\/Pno","description":"\u003cp\u003eWhen Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: \"You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano.\" He wrote the violin part himself, adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet, he had tried out the work with a violinist. \"Should the critics claim once again that it is incomprehensible - then these gentlemen are simply first class asses. The work sounds very good, is intimate chamber music and not difficult to play together.\" There is nothing more to be said.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371487384,"sku":"S-HN1097","price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/751673747ac0dca7a904d4287d96c9ea.png?v=1685676225"},{"product_id":"schumann-sonata-2-dmin-op121-violin-piano-accompaniment-henle-hn1098","title":"Violin Sonata No 2 in D Minor Op 121 Vln\/Pno","description":"\u003cp\u003eSchumann - Sonata #2 Dmin Op121 - Violin\/Piano Accompaniment Henle HN1098\u003cbr\u003e\u003c\/p\u003e","brand":"G. 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This Urtext edition is the first edition to make use of the autograph sketches of the original version for violin, as well as of the manuscript of Faurí©ŒÍs ownorchestration.? Urtext Edition with marked and unmarked string parts.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683371683992,"sku":"S-HN1101","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/eaa19b35ace38985dd4e70dd68ce13f0.png?v=1685676233"},{"product_id":"salut-damour-op-12-for-violin-and-piano-edward-elgar-violin-g-henle-verlag","title":"Salut d amour Op 12 for Violin and Piano","description":"\u003cp\u003eEdward ElgarŒÍs Salut dŒÍamour is one of those pieces by the British composer that has a particularly haunting melody. The short work also had a special significance for the composer. Caroline Alice Roberts had been having piano lessons with Elgar since 1886. Their teacher-pupil relationship soon blossomed into love and they became engaged in 1888. It was in this year that Elgar composed ŒñSalut dŒÍamourŒî for his bride, initially with the German title ŒñLiebesgruíôŒî. They got married in 1889 and the work was published at the same time. We are now publishing this moderately difficult, immortal classic in the original versions for Violin and Piano,Violoncello and Piano (HN 1189) and Piano solo (HN 1190).\u003c\/p\u003e","brand":"DEVIRRA GROUP","offers":[{"title":"Default Title","offer_id":42683372568728,"sku":"S-HN1188","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/55b0dda9b9f9311a435defeee003b4c1.png?v=1685676262"},{"product_id":"minstrels-from-preludes-1-for-violin-and-piano-claude-debussy-violin-g-henle-verlag","title":"Minstrels from Preludes 1 - for Violin and Piano - Claude Debussy - Violin G. 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The arrangement is of interest not only to pianists, since Debussy intervened in the original musical text by adding variants, but also to violinists, who will discover charming and rewarding musicof medium difficulty\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683374796952,"sku":"S-HN1246","price":23.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/5b320ac5206e48fadbcfc5be99759a38.png?v=1685676341"},{"product_id":"violin-concerto-no-5-a-minor-op-37-piano-reduction-henri-vieuxtemps-piano-cello-violin-g-henle-verlag","title":"Violin Concerto No 5 in A Minor Op 37 Violin\/Piano","description":"\u003cp\u003eAmongst VieuxtempsŒÍ seven violin concertos, the fifth in a minor is doubtlessly the best known and most popular by far. It was composed in 1860\/61 as an obligatory examination piece for the violin class of his friend Hubert Lí©onard at the Brussels Conservatory, but then soon made its way into the concert hall. It owes its popularity not only to the brilliant violin part but also to the unusual form of the three movements that merge into one another without interruption. The violinist and musicologist Ray Iwazumi is not only the editor of our edition but also undertook the bowings for the solo part. The preface was penned by the Belgian expert on Vieuxtemps, Marie Cornaz.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683374829720,"sku":"S-HN1257","price":44.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/7b4dab40bb64b9ca18307dc86e155035.png?v=1685676343"},{"product_id":"variations-k-359-g-major-k-360-g-minor-for-violin-and-piano-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Variations for Piano and Violin K 359 and 360","description":"","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683376566424,"sku":"S-HN181","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/9d5bcdedbfcafb97039370e32e9ca114.png?v=1685676393"},{"product_id":"6-sonatas-op-10b-for-violin-and-piano-carl-maria-von-weber-violin-g-henle-verlag","title":"6 Violin Sonatas op 10b Vln\/Pno","description":"\u003cp\u003eWeber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b), composed in Darmstadt in 1810, are most certainly amongst them. The individual movements are rather short and also not particularly difficult technically. The music is, on the other hand, all the more compelling, which is partly due to the various integrated dance forms: “Carattere Espagnuolo” and “Air Polonais” in Sonata No. 2, “Air Russe” in No. 3, “Siciliano” in No. 5 and a “Polacca” in No. 6.\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683376631960,"sku":"S-HN182","price":73.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/53354e77e14aaf61962d04964862b711.png?v=1685676396"},{"product_id":"sonatas-incl-sonatensatz-for-violin-and-piano-johannes-brahms-violin-g-henle-verlag-hardcover","title":"Sonatas Incl Sonatensatz - for Violin and Piano - Johannes Brahms - Violin G. 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He struggled with the finale in particular, and was only able to send the work to the publisher Durand in April 1917. Its difficult genesis is soon forgotten when one listens to the resulting work: it displays perfect classicism and is full of life, as the composer himself remarked.\u003c\/p\u003e","brand":"G. 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Dvorák’s autograph has served as the basis of our Urtext edition of op. 75. Its preface provides many details concerning the genesis of the work, which was originally conceived as a string trio. We were able to engage Dvorák specialist Milan Pospísil as editor of this edition.\u003c\/p\u003e","brand":"G. 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Its effectivenessis, however, mainly due to its great expressiveness – are there any violinists who do not love the lyrical melancholic “Canzonetta”? – and due to its Slavic temperament. At last and indeed for the first time this milestone in the violinist’s repertoire is now available in a text-critical edition, which is true to its original form.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":42683470872728,"sku":"S-HN685","price":91.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/95c51f9d523dedfa4aad8ea25ed8f156.png?v=1685686197"},{"product_id":"violin-concerto-no-3-g-major-k-216-wolfgang-amadeus-mozart-violin-g-henle-verlag","title":"Violin Concerto No 3 G major K 216 Violin\/Piano","description":"\u003cp\u003eI would gladly have done some more fiddling, but I was accompanied so badly that it gave me the colic. Thus Mozart, writing to his father on 16 October 1777. 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He wrote the work for his friend Pablo de Sarasate, who played it at his concerts and quickly made it known throughout Europe. This edition is the first to make use  of LaloŒÍs autograph manuscripts.? Urtext Edition with marked and unmarked string parts.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":42683471331480,"sku":"S-HN709","price":73.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/73bf135c94d36f8f7296a29704871b18.png?v=1685686222"},{"product_id":"concerto-for-violin-and-orchestra-no-3-b-minor-op-61-camille-saint-saens-violin-g-henle-verlag","title":"Violin Concerto No 3 in B minor Op 61 Violin\/Piano","description":"\u003cp\u003eNow, for the first time, Henle publishes an urtext edition of this famous violin concerto (it is also the first German edition). 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YsaíËe peppered these challenging works with extrao rdinary difficulties, dedicating each of them to a virtuoso violinist ofhis day and tailoring it to suit his special capabilities. Thanks to ne wly discovered source material, we are able to present a Œñdefinitive textŒî that in many respects supersedes the previously available text from the first edition.?\u003c\/p\u003e","brand":"MUSIC KNOWLEDGE","offers":[{"title":"Default Title","offer_id":42683473297560,"sku":"S-HN776","price":83.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1567\/1449\/files\/d14bd35f938d2cfba712726a47d03fb0.png?v=1685686329"},{"product_id":"schumann-3-romances-op94-violin-piano-accompaniment-henle-hn816","title":"Schumann - 3 Romances Op94 - Violin\/Piano Accompaniment Henle HN816","description":"\u003cp\u003eIn 1849 Schumann endowed three wind instruments with chamber music works: the clarinet with the “Three Fantasy Pieces” op. 73, the horn with the “Adagio and Allegro” op. 70 and the oboe with the present “Three Romances” op. 94. 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